LFF 2020 Review: The Intruder -“A great sense of paranoia throughout the film”
The Intruder is the second film from Argentinian director Natalia Meta. It stars Erica Rivas as Ines, a voice actor who overdubs foreign...
Read MoreLFF 2020 Review: Industry – “A show with plenty to say”
In high finance, some things never change, or do they? Maybe the secret to change is to refocus for the modern day. Billions has cornered...
Read MoreUS Blu-ray and DVD Releases: 21 Jump Street, Batman: Death In The Family, Whiplash, Requiem for a Dream, Vikings and more
We’ve got a big week this week, loaded with Halloween-themed movies and some higher-profile releases as we start to ramp up home video...
Read MoreLFF 2020 Review: Mangrove – “Delivers visceral joy, disgust and thrilling drama”
During every film, a bargain is struck between filmmaker and audience. The terms vary, but essentially it is an exchange of money and time...
Read MoreReview: The Haunting of Bly Manor – “It’s a love story and it’s a beautiful one”
Mike Flanagan is the most consistently excellent creator working in the horror genre today. He has brought us, among other things: Oculus...
Read MoreLFF 2020 Review: Undine – “Well-crafted”
Undine is a German-language film set in Berlin and the neighbouring countryside. Setting out as a modern fairy tale, Undine falls in love...
Read MoreLFF 2020 Review: 200 Meters – “The pace of the film rarely lets up”
Director Ameed Nayfeh’s feature-length debut, 200 Meters tells the story of Mustafa (Ali Suliman), a Palestinian family man who lives...
Read MoreLFF 2020 Review: Stray – “Leaves you yearning for more”
Stray is a documentary from filmmaker Elizabeth Lo, following the journeys of three stray dogs in Istanbul. The film informs us that stray...
Read MoreLFF 2020 Review: Kajillionaire – “A funny, odd, hug of a film”
Miranda July has built a career on exploring the interior worlds of outsiders. Kajillionaire, her third feature, and the first since...
Read MoreLFF 2020 Review: Herself – “An enjoyable piece of modern cinema”
The first ten minutes of Phyllida Lloyd’s Herself lay out an unfortunately familiar story: Irish single mother Sandra (Clare Dunne, also...
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