How Promising Young Woman Harnesses the Power of Silence
Within the eight nominees for Best Picture in the 2021 Oscar season, Darius Marder’s Sound of Metal stands out (you might say, obviously)...
Read MoreReview: Sound of Metal – Must be Heard to be Believed
When describing what makes a good movie, how it uses sound usually falls lower down the list than visuals and performances. Millions in...
Read MoreLFF 2020 Review: Nomadland – “An awe-inspiring showcase of the American spirit”
Seconds before Nomadland began, I closed down an article I had been reading about a celebrity who had bought a house for $27million,...
Read MoreLFF 2020 Review: Industry – “A show with plenty to say”
In high finance, some things never change, or do they? Maybe the secret to change is to refocus for the modern day. Billions has cornered...
Read MoreLFF 2020 Review: Mangrove – “Delivers visceral joy, disgust and thrilling drama”
During every film, a bargain is struck between filmmaker and audience. The terms vary, but essentially it is an exchange of money and time...
Read MoreLFF 2020 Review: Herself – “An enjoyable piece of modern cinema”
The first ten minutes of Phyllida Lloyd’s Herself lay out an unfortunately familiar story: Irish single mother Sandra (Clare Dunne, also...
Read MoreTENET: An A-Z explainer of the year’s most confusing movie
We get it. You’re busy. TENET is both the first BIG movie back in cinemas in 2020 and also the most complicated. You don’t...
Read MoreTENET – Everything we know so far
Fans of Christopher Nolan’s films wait with bated breath for the director’s eleventh movie to arrive in cinemas. With...
Read MoreBreaking Down The 1917 Debate
The film industry loves a good argument. Recent release 1917, Sam Mendes’s (potential Oscar-winning) movie has ignited discourse...
Read MoreReview: Little Women – “A stunning portrayal of how women live and love”
“I’ve been angry every day of my life” states Laura Dern’s Marmee, in a brief moment of candidness, midway through...
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