BFI London Film Festival announces expanded programming for public and industry
The BFI London Film Festival in partnership with American Express today announced the introduction of major new Festival programmes for...
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LFF 2019 Review: Une Fille Facile (An Easy Girl) – “You won’t find a better coming-of-age tale this year”
Since making the brilliant but under-seen Planetarium in 2016, Rebecca Zlotowski seemed to be lying low. Instead, it’s now apparent...
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LFF 2019 Review: The Irishman – “A sprawling, majestic masterpiece”
There is a quiet, glacial atmosphere which haunts each frame of Martin Scorsese’s biblical mob epic, The Irishman. Unlike the firecracker...
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LFF 2019 Review: Judy and Punch – “It is the quirky darkness that really holds your interest”
An Australian film about the traditionally British Punch and Judy puppet show is set in the fictional town of Seaside (a town nowhere near...
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LFF 2019 Review: Rocks
Director Sarah Gavron’s latest feature Rocks walks a seamless line between energetic coming-of-age and social realism. The film...
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LFF 2019 Review – Making Waves: The Art of Cinematic Sound
Last year you may recall I reviewed Score, a documentary on the history and evolution of music in cinema. Making Waves is a perfect...
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LFF 2019 Review: The Report – “A spectacular and necessary piece of cinema”
It’s what many of us hope for, the knowledge that based-on-a-true-story cinema can do more than entertain, it can actually redress...
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LFF 2019: Lucky Grandma -“A very assured first feature”
Lady luck takes a glance in the wrong direction for a gambling Grandma in writer-director Sasie Siely’s debut feature. Grandma Wong (Tsai...
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LFF 2019 Review: Bad Education – “Dripping with righteous anger”
The sound of Greta Thunberg’s name is enough to make most cheer and some fume. As the poster child for the climate change movement,...
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I Lost My Body gets a new trailer and the English voice cast is announced
In a Parisian laboratory, a severed hand escapes its unhappy fate and sets out to reconnect with its body in this Cannes Critics’ Week...
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