LFF 2022 Review: She Said is the Best of Journalism Movies
There’s this part of All the President’s Men that stays with me. Woodward and Bernstein doorstop a woman in need of answers....
Read MoreLFF 2022 Review: Causeway is Quietly Devastating
How does it feel to overcome major trauma? It’s not a catchy theme, it doesn’t sound pleasant and it’s difficult to...
Read MoreLFF 2022 Review: The Eternal Daughter – “atmospheric, melancholy, musing on memory, creativity and regret”
Tilda Swinton plays a mother and daughter in writer-director Joanna Hogg’s follow-up to The Souvenir and The Souvenir Part II. The Eternal...
Read MoreLFF 2022 Review: Aftersun – “The portrait of a father-daughter relationship works so well”
Bitter-sweet memories of a sun-soaked late ‘90s holiday burn brightly in writer-director Charlotte Wells’ impressive debut feature. The...
Read MoreThe 66th BFI London Film Festival announces the line-up of World Premieres
The 66th BFI London Film Festival in partnership with American Express has announced the line-up of world premieres in this year’s...
Read MoreSam Mendes’ Empire of Light announced as American Express Gala Film at the 66th BFI London Film Festival
The 66th BFI London Film Festival in partnership with American Expresshas announced that this year’s American Express Gala will be Empire...
Read MoreGlass Onion: A Knives Out Mystery will close the 66th BFI London Film Festival
The 66th BFI London Film Festival (5-16 October) in partnership with American Express is has announced that this year’s Closing Night Gala...
Read MoreLFF 2021 Review: The Wolf Suit – “A bold, often raw piece of work”
The nature of memory and conflicting recollections are examined in forensic detail in filmmaker Sam Firth’s debut feature-length...
Read MoreLFF 2021 Review: The Lost Daughter – “A thrillingly-weird ride with a resonant message”
A man held court outside the screening of The Lost Daughter, surrounded by a small group. “I just didn’t get it,” he exclaimed, “I thought...
Read MoreLFF 2021 Review: Petite Maman – “Utterly charming”
Céline Sciamma’s follow-up to 2019’s Portrait of a Lady on Fire is a quieter and more playful film. But despite its lean running time of...
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