Sundance 2022 Review: My Old School – “A light, fun watch with some absolutely jaw-dropping moments of absurdity”
If you lived in Scotland in the mid 90’s there was probably no escaping this story, the story of Brandon Lee. No, not that Brandon...
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Sundance 2022 Review: Palm Trees and Power Lines – “A gut-wrenching look at exploitation and predation”
Never are we perhaps more impressionable and vulnerable than when we are teenagers just trying to figure everything out. Certainly that...
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Sundance 2022 Review: Resurrection – “Rebecca Hall proves she’s still one of the best actors working today”
In Resurrection, the sophomore feature from writer-director Andrew Semans, Rebecca Hall plays Margaret, a single mother who has a...
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Sundance 2022 Review: Emily the Criminal – “Another impressive outing from Aubrey Plaza”
Emily (Aubrey Plaza) is absolutely drowning under the weight of her student debt, $70,000 that she owes from her time in art school....
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Review: The Last Thing Mary Saw – “A slow-burning cinematic experience rich in both style and substance”
Debuts are no easy feat, that’s why filmmaker Edoardo Vitaletti deserves extra credit for choosing to tackle a disturbing period...
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Sundance 2022 Review: Happening – “Made with sensitivity and compassion”
Winner of the Golden Lion at the 2021 Venice Film Festival, Happening is one of three films at Sundance this year to highlight...
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Review: Sing 2 – “Filled with fun songs and colourful animation”
When the first Sing movie came out in 2016 it was easy to dismiss it as another animated singing-animal film. It is with those low...
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Sundance 2022 Review: Breaking – “John Boyega really truly embodies the torment and distress of Easley.”
In her feature debut, 892, director Abi Damaris Corbin (also co-writing with Kwame Kwei-Armah) crafts a film based on the true story of...
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Sundance 2022 Review: Lucy and Desi – “Packs a surprisingly emotional punch”
When I was a kid, sick days home from school were spent watching I Love Lucy episodes that were re-run on one of our local television...
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Sundance 2022 Review: Living – “Truly elegant in its execution”
Every day, Mr. Williams (Bill Nighy) catches the same train into London. He always sees his employees on the commute but never sits with...
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