TIFF 2022 Review: The Fabelmans – “A love letter to cinema”
In 1952, a young boy is being taken to his first movie. And he’s scared. He doesn’t know what to expect. He doesn’t...
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TIFF 2022 Review: Susie Searches – “A lot of fun and nothing overly serious”
As a young girl in Ohio, Susie (Kiersey Clemons) and her mother would read detective novels together. The only problem was, Susie would...
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TIFF 2022 Review: The Swimmers – “A decent crowd pleaser”
According to the end credits of The Swimmers, it is estimated that there are 30 million refugees worldwide, half of which are under the...
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TIFF 2022 Reviews: Bones of Crows, The Swearing Jar
Bones of Crows Inspired by true events, Marie Clements’ sophomore fictional feature, Bone of Crows, follows Aline (played at different...
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TIFF 2022 Review: North of Normal – “An interesting, personal tale full of rich characters”
When at the age of 15 Michelle (Sarah Gadon) ends up pregnant, her parents, soon to be known as Grandpa Dick (Robert Carlyle) and Grandma...
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TIFF 2022 Review: I Like Movies – “A warm nostalgic hug”
Movies serve as an escape. The best ones transport us away from the every day where for a couple of hours we can revel in romance or...
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Review: The Immaculate Room – “Examines the human condition”
The Immaculate Room sees couple Katherine (Kate Bosworth) and Michael (Emile Hirsch) excitedly walk into a stark white space. It’s a...
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Review: Summering – “Best when it’s really just following the four girls and their friendship”
August: I recently saw it described online as the ‘Sunday of summer’. And yes, as a kid I remember it being the ‘beginning of the end.’ ...
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Review: A Love Song – “A quiet, contemplative film”
Travelling on her own in a small camper hitched to her pick up, Faye (Dale Dickey, Winter’s Bone, Hell or High Water) leads a simple...
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Review: Alone Together – “Katie Holmes is charming”
In March of 2020, with the proclamation of the COVID-19 pandemic, all of our lives changed forever. The terms ‘social distancing’ and...
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