TIFF 2026 Review: Back in Black – “a clever, slightly unhinged gem”
“Shut up. Listen” It’s a phrase heard multiple times in Ron Murphy’s directorial debut Back in Black. What makes it funny is that...
Read MoreTIFF 2026 Review: Forgotten Spaceman – “more of a lament than a celebration.”
Amongst all of the domestic turmoil, Abdul Ahad Momand became the first Afghan astronaut to travel into space. While the Soviets ruled...
Read MoreTIFF 2026 Review: The Violinist – “the entire experience was emotionally moving.”
A daughter from an affluent family and the adopted son of a family servant bond over their love of music and playing the violin together;...
Read MoreTIFF 2026 Review: Innovation Hub
Returning after a decade absence at the Toronto International Film Festival is an exhibition that brings together eight immersive...
Read MoreTIFF 2026 Review: Toy Gun Bandit
A prank escalates into a robbery spree for a free-spirited 15 year-old living in Quebec City but every action has a consequence. Social...
Read MoreTIFF 2026 Review: Hope – “the production value is flawless”
What is initially taken as a wild animal going on a rampage in the remote South Korean village of Hope Harbor becomes an escalating...
Read MoreWhat’s New in Home Video & Pop Culture – September 8, 2026 – Star Trek: TOS, Minions & Monsters, Passenger, Batman: Knightfall, The Hot Spot and more
Wow. Usually on a holiday weekend (Labor Day here in the U.S.) releases are slow, but we are absolutely flooded with amazing new titles...
Read MoreWhat’s New in Home Video & Pop Culture – September 1, 2026 – The Mandalorian & Grogu, Disclosure Day, The Breadwinner, The Magnificent Cuckold and more
We’ve got an interesting mix of releases this week, with a heavy dose of foreign films, but then also a big-screen blockbuster or two and...
Read MoreEIFF 2026 Review: First Zone (De Eerste Zone) – “a slow-burn but compelling tale.”
Directed by Thom Lunshof Starring Hadewych Minis, Violet Braeckman, Oona De Kok, Aus Greidanus Jr. Fenna (Hadewych Minis) is living alone,...
Read MoreReview: The Menu – “obsession gets all of us on the menu.”
A brilliantly bitter satire of fine dining and wealth, Mark Mylod’s dark comedy presents its wealthy customers with a tasting menu they...
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