Review – Woolf Women: Now or Never – “These are incredible, brave women”
Downhill skating switches ramps and skate parks for the thrill and danger of the open road. Boarders can reach speeds of 150 miles per...
Read MoreReview: Spirited – “A big-hearted, silly seasonal romp”
Another year, another opportunity to riff on Charles Dickens’ A Christmas Carol. This modern twist is brought to you in the shape of...
Read MoreLFF 2022 Review: Meet Me In The Bathroom – “The documentary’s strength is in the archive footage”
Named after The Strokes’ song, Meet Me in the Bathroom is a documentary about the rise of the New York City indie scene in the late...
Read MoreLFF 2022 Review: The Eternal Daughter – “atmospheric, melancholy, musing on memory, creativity and regret”
Tilda Swinton plays a mother and daughter in writer-director Joanna Hogg’s follow-up to The Souvenir and The Souvenir Part II. The Eternal...
Read MoreLFF 2022 Review: Aftersun – “The portrait of a father-daughter relationship works so well”
Bitter-sweet memories of a sun-soaked late ‘90s holiday burn brightly in writer-director Charlotte Wells’ impressive debut feature. The...
Read MoreReview: Nobody Loves You and You Don’t Deserve To Exist
The debut micro-budget feature film by Manchester-based writer-director Brett Gregory looks at a man’s life at three different times...
Read MoreLFF 2021 Review: The Wolf Suit – “A bold, often raw piece of work”
The nature of memory and conflicting recollections are examined in forensic detail in filmmaker Sam Firth’s debut feature-length...
Read MoreLFF 2021 Review: Petite Maman – “Utterly charming”
Céline Sciamma’s follow-up to 2019’s Portrait of a Lady on Fire is a quieter and more playful film. But despite its lean running time of...
Read MoreLFF 2021 Review: Language Lessons – “A bittersweet film that will resonate with our need for connection after long months apart”
Stories featuring Zoom have been a growing trope of filmmaking in the time of Covid-19. But Natalie Morales’ debut feature deftly avoids...
Read MoreReview – WITCH: We Intend To Cause Havoc
Director Gio Arlotta’s WITCH: We Intend To Cause Havoc walks the path set up by the likes of Anvil: Story of Anvil and Searching For...
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