TIFF 2019 Review: Portrait of a Lady on Fire
Portrait of a Lady on Fire has multiple meanings in this film. It is not only the name of an actual portrait painted of one of its...
Read MoreTIFF 2019 Review: American Son
I am completely unqualified to unpack every nuance in American Son, and there are a lot of them here. Any unconscious bias I wish...
Read MoreTIFF 2019: Director Heather Young on her First Feature Film, Murmur
“It’s a bit overwhelming at times,” says director Heather Young, speaking on the phone from Halifax a few weeks prior to the premiere of...
Read MoreTIFF Review: Destroyer – “Nicole Kidman embodies this dark character in a haunting performance”
You’ve never really seen a cop drama quite like this one. Or at least not with this lead. Never before has a female cop been shown to be...
Read MoreTIFF Review: Can You Ever Forgive Me? – “Melissa McCarthy delivers her best performance to date”
At a literary party close to the beginning of Can You Ever Forgive Me? an author comments that he doesn’t believe in writer’s...
Read MoreTIFF Review: Her Smell – “Elisabeth Moss is mesmerizing”
There were a lot of music-centric films this year at the Toronto International Film Festival, most revolving around women musicians. Vox...
Read MoreTIFF Review: Colette
Director Wash Westmoreland and his late partner Richard Glatzer last visited the Toronto International Film Festival with Still Alice,...
Read MoreTIFF Review: The Weekend – “A delightful comedy”
It’s fairly common that festival viewing tends to revolve around more serious subject matter – case in point the multiple stories of...
Read MoreTIFF 2018: In Conversation with Michal Aviad, Director of Working Woman
No stranger to the film industry, director Michal Aviad has been a strong female voice since she started making movies. Before the...
Read MoreTIFF Review: High Life – “Disturbing and uncomfortable to watch”
The opening sequence of High Life shows Robert Pattinson fixing the outside of a spaceship. Inside, a baby girl in a makeshift play-pen is...
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