Sundance 2025 Review: Sorry, Baby – “A film with humour and heart.”
A warning – this film, and hence this review, mentions sexual assault. Please take care while reading. I didn’t really know...
Read MoreSundance 2025 Review: Prime Minister – “Makes a world leader approachable and understandable.”
In 2017, Jacinda Ardern became the self-described ‘reluctant’ Prime Minister of New Zealand. Just weeks before an election...
Read MoreSundance 2025 Review: Brides – “The filmmakers create empathy while exploring the reasons for their decisions.”
Two teenagers sit in an airport, sharing a milkshake and scarfing fries. They look slightly older than their fifteen years, perhaps...
Read MoreSundance 2024 Review: Seeking Mavis Beacon – “Incredibly creative filmmaking”
In 1987, the world got a new teacher. Her name was Mavis Beacon, and she taught typing on your computer screen. This educational...
Read MoreSundance 2024 Review: Between the Temples – “a story that at its core is just about two lost souls.”
For his ninth feature film, writer-director Nathan Silver creates a dramedy with a personal connection. That connection is his mother,...
Read MoreSundance 2024 Review: Stress Positions – “Had a lot that it wanted to say”
The pandemic wasn’t easy on any of us. Neither was it easy on Terry Goon (John Early) whose troubles are compounding. He’s...
Read MoreSundance 2024 Review: Good One – “a quiet, nuanced film”
That writer-director India Donaldson wanted to re-visit herself as a teenage girl for her feature debut, Good One, is commendable....
Read MoreSundance 2024 Review: Little Death – “Innovative visuals”
With an impressive list of music video directing credits on his resume, filmmaker Jack Begert makes his first foray into feature-length...
Read MoreSundance 2024 Review: Black Box Diaries – “It’s all essential”
The opening of Shiori Ito’s feature documentary debut, Black Box Diaries opens with a warning. This review will do the same. To...
Read MoreSundance 2024 Review: Veni Vidi Vici – “a relatively handsome film that feels empty.”
“The point is, who will stop me.” This quote by Ayn Rand opens the film Veni Vidi Vici, which translated from Latin means I came, I saw, I...
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