Paz Vega talks to Live for Films about road trips, Sarah Jessica Parker and teenage rebellion
A stunning Tuscan backdrop provides the perfect setting for second chances, as mismatched lovers Sarah Jessica Parker and Raoul Bova...
Read MoreDaniel Craig and Léa Seydoux talk about SPECTRE
Taking in more than $850 million (USD) worldwide, SPECTRE dominated the worldwide box-office making it one of the most successful Bond...
Read MoreLive for Films talks to director Gilles Paquet-Brenner about Dark Places
From the author of literary phenomenon Gone Girl, Dark Places is the gripping and suspenseful story based on Gillian Flynn’s New York...
Read MoreTyler MacIntyre talks about Patchwork
The spirits of RE-ANIMATOR and cult director Frank Henenlotter loom large over this incandescent comic horror. Three young women out...
Read MoreLive for Films talks to rising star Emmanuel Imani
Emerging South London actor Emmanuel Imani is set to star in his first Hollywood film – Criminal –alongside Kevin Costner, Tommy Lee...
Read MoreJoe Begos talks about The Mind’s Eye
Ahead of the UK Premiere of THE MIND’S EYE at the Glasgow Film Festival, FrightFest probes the mind of director Joe Begos. On a snowy back...
Read MoreQuentin Tarantino talks to Live for Films about The Hateful Eight and the Vega brothers movie
The eighth film by Quentin Tarantino, The Hateful Eight, is released in UK cinemas on January the 8th. In THE HATEFUL EIGHT, set six or...
Read MoreFamily Matters: The Making of Looking for Grace
Trevor Hogg chats with Sue Brooks and Odessa Young about family dynamics and making the independent film called Looking for Grace… A...
Read MoreChanging Times: He Ping talks about The Promised Land
Aided by an interpreter Trevor Hogg had an opportunity to chat with He Ping about the challenges of making a contemporary film about life...
Read MoreUnfiltered Warfare: The Making of Kilo Two Bravo
Trevor Hogg chats with filmmaker Paul Katis, former Lance Corporal Paul ‘Tug’ Hartley, and actor Mark Stanley about recreating a deathtrap...
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