Post-Tarantino.  Pulp Fiction knock-offs.  You know the sort of thing… The Way of the Gun.  Lucky Number Slevin.  Guy Ritchie’s entire career. There are some genuinely great films in the category, things like Go, or Get Shorty, but as in most cases, imitations suffer badly in comparison to the original, and so, sadly is the … Continue reading Review: American Night – “Alessio Della Valle deserves credit for the look of his film”